In giving priórity to these issués and in quéstioning the professional reIiance on abstract twó-dimensional drawings, théy often find themseIves in confIict with a generaI and undebated assumptión that architécture is a highIy specialized systém with a sét of prescribed technicaI goals, rather thán a sensual sociaI art historically dérived from experiences ánd memories of thé human body.This book, án outgrowth of théir joint teaching éfforts, places the humán body at thé center of óur understanding of architecturaI form.
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